At the American Anthropological Association Meeting in 2017, Sydel Silverman humbly asked Janet Steins, a HAN bibliography editor, if her 2002 book The Beast on the Table: Conferencing with Anthropologists could be included in our publication’s ever-evolving online bibliography. Because our cutoff date for publications is 2013 or later, we were forced to decline. Fortunately, Silverman’s inquiry kicked off lengthy discussions among the HAN editorial collective concerning how we might bring the attention of our readers to important, provocative, and influential texts published at any time in the past which have generated discussions and new lines of thought for researchers and others interested in the history of anthropology. The recent and unfortunate passing of Silverman in March 2019 spurred these discussions and our desire to devise ways of better accounting for important works that have fallen through our cataloguing sieve. After many months of deliberation and collaboration, we are pleased to introduce a new subsection to the Bibliography page: Generative Texts.
Stocking, George W., editor. Objects and Others: Essays on Museums and Material Culture. History of Anthropology, Volume 3. Madison: The University of Wisconsin Press, 1985.
Objects and Others, the third installment of the History of Anthropology series published by University of Wisconsin Press, is an edited volume featuring essays on the role of material culture and museums in the history of anthropology. While originally conceived as a series of essays on the “museum period” of anthropology, George Stocking explains in his introduction how the process of assembling and editing the essays opened up larger questions about “objects and others”—in other words, how material culture mediates the relationship between science and its subjects. The case studies, primarily drawn from British and North American contexts, illustrate the role of material culture and museums in the nineteenth and twentieth centuries. Several case studies focus on key institutional spaces: the Pitt Rivers Museum in Oxford (William R. Chapman), the Peabody Museum at Harvard (Curtis Hinsley), the Trocadero Museum in Paris (Elizabeth A. Williams), and the American Museum of Natural History, where Ira Jacknis memorably narrates how Franz Boas attempted, and ultimately rejected, the role of exhibition designer. The remaining essays focus on the negotiations that happen around the collection, preservation, and display of objects, including how the Rockefeller Foundation’s philanthropy shaped scientific priorities (Stocking), how market forces guided the creation and valuation of American Indian art in the Southwest (Edwin L. Wade), how Quebec selected a particular aesthetic version of its French past to preserve and perpetuate (Richard Handler), and how the shifting institutional place of archaeology within the academy shaped collecting trends (Bruce G. Trigger).