HAR is pleased to announce one of the latest releases from BEROSE International Encyclopaedia of the Histories of Anthropology: an article (in English) on a 1951 expedition to Mauritania by Swiss anthropologist Jean Gabus and painter Hans Erni.

Reubi, Serge, 2024. “Anthropology, Photography, and Painting: Jean Gabus and Hans Erni in Mauritania 1951‑1952”, in BEROSE International Encyclopaedia of the Histories of Anthropology, Paris.

Swiss scholar Jean Gabus (1908–1992) received an education in humanities and worked first as a journalist and explorer. After an expedition to Canada in 1938–1939, he wrote a dissertation on the Inuit, under the supervision of Wilhelm Schmidt. In 1945, he was appointed director of the Musée d’ethnographie of Neuchâtel (until 1978) and professor of geography and ethnography at the University of Neuchâtel (until 1974). He spent most of his career studying the nomad populations of Mauritania, Niger and Algeria, but his most important achievements were museological: he radically modernized the Neuchâtel museum and was an international renowned expert for museums for UNESCO from 1958 to the 1980s, popularizing the concept of objet-témoin. This article discusses the category of minor anthropological traditions and suggests that it is better understood as a historiographical artefact, not an undisputed fact. Intellectual practices that do not fit hegemonic narratives should not be positioned in terms of backwardness in time—or forwardness, for that matter; instead, one should accept the synchronic diversity of scientific activities. To demonstrate this, Serge Reubi (Musée National d’Histoire Naturelle, Centre Alexandre Koyré, Paris) uses the conceptual lens of Daston and Galison’s objectivity theory and examines the 1951 expedition to Mauritania that Gabus organized with the painter Hans Erni, during which he tried to combine the use of mechanical means of recording (photo, records, films, artefacts) with the more subjective approach of an artist. By doing so, he believed that the expedition would be able to grasp both singular and specific events of the local populations and general human behaviors.

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HAR is pleased to announce one of the latest releases from BEROSE International Encyclopaedia of the Histories of Anthropology: an article (in Spanish) on anachronistic and dyschronic motives in disciplinary history, focused on José Imbelloni—a controversial representative of 20th-century Argentinian anthropology. The English version is forthcoming.

Lazzari, Axel, 2024. “En torno al argumento del anacronismo y la Escuela Histórico‑Cultural en la Argentina: hacia un abordaje discrónico,” in BEROSE International Encyclopaedia of the Histories of Anthropology, Paris.

Born in Italy, José Imbelloni (1885–1967) emigrated to Argentina in 1908, where he began his career as an anthropologist in 1921, with previous training in the natural sciences. His anthropological work of a craniological and historical-philological nature contributed to the debates on the settlement of the American continent and the diffusion of cultural cycles. During the 1930s, as head of the Physical Anthropology Section of the Museo de Ciencias Naturales, Imbelloni gained greater visibility with the publication of Epítome de Culturología (1936), where he summarized the doctrine and method of the cultural-historical school and contributed his own empirical studies. In 1948 he took over the direction of the Museo Etnográfico, created the Instituto de Ciencias Antropológicas at the University of Buenos Aires, and the journal Runa. During these years he established strong ties with academic sectors of Peron’s regime and became one of the world’s leading figures in Americanist anthropology. Imbelloni developed a culturalist-racialist approach that was not free of polemic tones, but his career is fundamental for understanding the development of Argentine anthropology.

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