Graham M. Jones
Magic’s Reason: An Anthropology of Analogy
University of Chicago Press, 2017
240 pp., 25 halftones, notes, bibl., index
Editor’s note: This essay was originally developed for another publication in 2018, shortly after Magic’s Reason was published. HAR received the essay in 2022 and is pleased to publish it as a joint production of Field Notes and Reviews. Although Magic’s Reason is now a few years old, as Golub argues here, the conversations it animates on anthropological theory and the history of anthropology are well worth continuing.
What does it mean to “compare” two things? For Graham Jones, the answer to this question can be found in a magic show performed in Algeria in October 1856. The performer was Jean Eugène Robert-Houdin, the “father of modern magic” (Jones 2017, 12), and his goal was to demonstrate the superiority of European civilization by surpassing the mystic feats performed by the Sufi orders then popular in Algeria. And not only that: Robert-Houdin’s magic would demonstrate his superiority not just over the Sufis, but their followers as well. Algerians’ inability to distinguish entertainment magic from “real” magic would prove the superiority of French rationality over Algerian superstition. This, at least, was what Robert-Houdin thought would happen.
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