The short documentary Historia de un ballet (History of a Ballet, 1962) dramatizes an ethnographic encounter central to a creative process. Director José Massip followed Cuban choreographer Ramiro Guerra and his company of modern dancers as they researched, created, and premiered a new work, Suite Yoruba (1960), about Afro-Cuban ritual music and dance. The film depicts dancers actively engaging with anthropological methods as they conduct fieldwork and share their findings with a wider public through performance. Though not formally trained as anthropologists, dancers traversed disciplinary and social boundaries to create work that animated political visions of revolutionary collectivity. Continue reading