Dates: August 22-24, 2022
Location: University of Oxford (hybrid: online and in person)
Language: Chinese and English
Organizers: Anke Hein (University of Oxford) & Julia Lovell (Birkbeck College, University of London)
Steering Committee and Discussants: Chen Xingcan, Lothar von Falkenhausen, Rowan Flad, Ye Wa
As proclaimed recently in the Washington Post, this is a golden age for Chinese archaeology. Major recent discoveries such as the new object pits at Sanxingdui receive extensive press coverage in China and to a lesser extent abroad, and articles reporting archaeological research in China are becoming increasingly common in scholarly journals around the world. Yet, these English-language articles represent only a tiny proportion of the archaeological work that is done in China and much of the archaeological process behind it is unknown to foreigners. Few outside specialist circles are aware that China is currently celebrating 100 years of Chinese archaeology, and with an investment of time, money, and media coverage that archaeologists in other countries can only dream of. It is thus clear that archaeology is of great importance in China, promoted by the government and followed eagerly by the public; this phenomenon needs to be better understood outside China.
This call for papers invites contributions for a workshop to prepare an edited volume on the topic “The History and Practice of Archaeology in China,” which aims to promote better understanding of the way archaeology is practiced in China, and of the history of the discipline. The organizers welcome papers including but not limited to the following areas: the precursors to and history of modern Chinese archaeology; the development of influential theories and methods; studies of key institutions and influential excavations; analysis of the sociology and technologies of archaeology in China, including gendered experiences of fieldwork; the interactions between specialist academic and public archaeology, including treatment of archaeological discoveries in museums and media.
If you are interested in participating in this endeavor, please submit an abstract (250-300 words) and a biographical note (50-100 words) to Anke Hein (email@example.com) and Julia Lovell (firstname.lastname@example.org). The deadline for submission of abstracts is December 3, 2021 and submissions will be reviewed by mid-January 2022.
Sarah Pickman: contributions / email@example.com
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