Richard L. Anderson is, in my view, the most respected and influential aesthetic anthropologist alive today (see Anderson 1979, 1993, 1999, 2004, 2015, 2021, 2023). I first met him in the 1980s when I was teaching a course called Creativity and Society at Washburn University in Topeka, Kansas, using one of his works (1979) as a required text. He was teaching in the Liberal Arts section of the Kansas City Art Institute, a mere hour’s drive away, so I invited him to come and speak to my class. The students were delighted to hear from their text’s author, and he and I hit it off right away. Before long, we were collaborating on a book of readings (Anderson and Field 1993), a project in which I learned a great deal from him. Because of those experiences, and because Richard is now in his 80s, I feel it is crucial to preserve his thoughts and experiences so that they may be shared with other anthropologists interested in the field of art and aesthetics. The following discussion is one that we conducted via email over the past several months and one in which I hope to capture his role in the history of that tradition.
Continue reading
