Editors' note: We are delighted to announce that Participant Observations is widening its remit. We welcome shorter reactions to conferences, exhibitions, research projects, and reflections on elements of the history of anthropology as a field. How has your experience of organizing or participating in remote conferences been? What online resources have caught your eye in this moment? What works, events, or conversations that you've recently encountered seem to capture vital new or ongoing conversations in the history of anthropology? If you have an idea for a piece, please email news@histanthro.org or one of our News editors. In this spirit, we are pleased to publish HAR editor Nick Barron's short reflection on the 2019 American Anthropology Association Meeting.
In the crowd, I caught your eye
You can’t hide your stuff
You thought I’d be naive and tame
(You met your match) but I beat you at your own game
Such were the lyrics from the song that emanated from Lee Bakerโs smart phone as he prepared to give his comments for the panel โRe-Presenting Historical Legacies: A Decolonial Reckoning with Anthropologyโs Ruin.โ Alongside his co-discussant Christien Tompkins, Baker considered an assortment of papers focusing on the disciplineโs tangled historical encounters by centering analyses from the perspectives of those who call field sites โhome.โ Each of the panelists explored cases at the interstices of anthropologist-community engagements in regions that have been heavily mined for ethnographic knowledge including the Brazilian Amazon, Canadian Pacific Northwest, U.S. Southwest, and Egypt. Less concerned with the โtruthโ of past ethnographic depictions, the panelists, in various ways, considered what happens when anthropologists (and other social scientists) leave the field. What it is that these interlopers leave behind? How do the people that call โthe fieldโ home come to live with the debris of ethnography?
As a participant and panel co-organizer, I was quite intrigued by Bakerโs theatrical introduction. As Tompkins underscored post-panel, โall panel papers should have entrance music.โ But of course, the choice of this particular song from the late Queen of Soul, Aretha Franklin, was hardly trivial as were the sincere and challenging comments from Baker and Tompkins. [1] As Baker noted, the song tells a story of romantic role reversals in which the seduced becomes the seducer (โyou thought you had me coveredโฆ but youโre bound to be my loveโ). While the papers from myself, Rosanna Dent, Taylor Moore, and Joseph Weiss and the panel abstract conceived by myself and Hilary Leathem were perhaps light on romance (at least of the non-platonic variety), they did speak of collaboration, intimacy, affect, magic, and the ways in which these phenomena have continued to bind communities of study to the discipline and vice versa. Importantly, the song indexes an obfuscated and creative agency (โhere stands an experienced girl/I ainโt nobodyโs foolโ). The papers, though hardly unequivocally celebratory in their examination of agency, motioned toward the enduring ways in which the โobjectsโ of ethnographic inquiry have long been engaging, salvaging, adopting, and enchanting anthropology on their own terms.
I reflected on the keen observations of my fellow panelists the following morning as I sat in on the panel โHate USA,โ an appropriately sobering title for an 8:00 a.m. timeslot. In a series of wonderful papers, I was most struck by Nancy Scheper-Hughes comments on Benjamin Teitelbaumโs Lions of the North: Sounds of the New Radical Nordic Radical Nationalism.[2] Admittedly, I was unfamiliar with this book before the panel. However, as Scheper-Hughes summarized, Lions of the North is a recently published ethnography concerning alt-right, white nationalist groups in various Nordic countries. Scheper-Hughes was invited to comment on one of Teitelbaumโs recent articles for a forum in Current Anthropology.[3] She expressed great consternation in the face of Teitelbaumโs self-proclaimed โimmoral anthropology,โ which has led him not only to observe these groups, but take an active role in their dissemination of propaganda. After a couple of exchanges with members of the audience who made a respectful plea for the value of Teitelbaumโs work and the spirit of his relativism, Scheper-Hughesโs response did not mince words: we are not simply here to parrot the views of others, to be โhandmaidens to informants.โ[4] With Ms. Franklinโs lyrics still ringing in my ears, I couldnโt help but think, โWhoโs zoominโ who?โ
On my return flight to California, I took it upon myself to read Teitelbaumโs article as well as Scheper-Hughesโs published comment. The characterization of Teitelbaum as a โhandmaidenโ remained most prominent in my mind. In my own research, I consider how anthropologists become wittingly and unwittingly enrolled in the political projects of their research subjectsโspecifically indigenous groups living in the U.S.-Mexico borderlands.[5] Seen from the perspective of the historian (and the self-reflexive anthropologist), the roles of “ethnographer,” “advocate,” and “handmaiden” exists on a continuum, and anthropologists do not necessarily determine where they will fall. The ethnographic method is shot through with dialogical twists and turns that are hardly the exclusive design of the anthropologist.
To be fair, Teitelbaum underscores the dynamic nature of participant-observation when explaining his questionable engagements with white nationalists. โSo long as we prefer dialogic and intersubjective models of understanding to those of observation and monologue, we are led to embrace a research practice laced with political and moral compromise.โ[6]
I suppose this is a helpful reminder for anyone just starting out in the field who might be inclined to take a naive view of knowledge production, which assumes they can stand outside the webs of power in which they operate. However, recognizing the inherently dynamic and situated nature of the ethnographic approach in no way invalidates Scheper-Hughesโs critique nor does it justify Teitelbaumโs rationale. One might assert that all anthropologists are handmaidens of one sort or another. Perhaps there is always some degree of zoominโ. But the important aspect of Franklinโs question (โWhoโs zoominโ who?โ) is not just the โzoominโโ but the โwho.โ Is it not one thing to be a handmaiden of a small community of borderlands Indians, for example, and another thing to be a handmaiden of white nationalists? Veiling such a question behind invocations of the inherently intersubjective nature of the disciplineโs signature method is not just morally dubiousโit is historiographically hollow.
Ms. Franklin may have passed away, but her acute anthropological commentary remains relevant to the discipline and persistent debates within the ranks regarding the relationship between anthropologists and their interlocutors.
[1] Aretha Franklin, “Whoโs Zoominโ Who?” (Arista, 1985).
[2] Benjamin R. Teitelbaum, Lions of the North: Sounds of the New Nordic Radical Nationalism (Oxford: Oxford University Press, 2017).
[3] Nancy Scheper-Hughes, โThe Case for a Moral and Politically Engaged Anthropology,โ Current Anthropology 60, no. 3 (2019): 427โ30.
[4] I am paraphrasing from my notes.
[5] Nicholas Barron, โAssembling โEnduring Peoples,โ Mediating Recognition: Anthropology, the Pascua Yaqui Indians, and the Co-Construction of Ideas and Politics,โ History and Anthropology (2019).
[6] Benjamin R. Teitelbaum, โCollaborating with the Radical Right: Scholar-Informant Solidarity and the Case for an Immoral Anthropology,โ Current Anthropology 60, no. 3 (2019): 415.