Robert L. Carneiro. Evolutionism in Cultural Anthropology: A Critical History. 339 pp., 10 b/w illus., bibl., index. Boulder: Westview Press, 2003. (Reprinted by Routledge in 2018)

Efram Sera-Shriar (Editor). Historicizing Humans: Deep Time, Evolution, and Race in Nineteenth-Century British Sciences (with an Afterword by Theodore Koditschek). 320 pp., 13 b/w illus., notes, bibl., index. Pittsburgh: University of Pittsburgh Press, 2018.

At first sight, these two books do not have much in common. Evolutionism in Cultural Anthropology is a single-author monograph by one of the “last” great neo-evolutionist anthropologists of the twentieth century, Robert L. Carneiro, who died in June 2020, aged 93; Historicizing Humans is a collective volume by a new generation of historians of science. One is profoundly presentist; the other is profoundly historicist. One is mainly dedicated to anthropology and archaeology in the twentieth century, with shorter chapters on the “classical” evolutionists; the other (as indicated in the title) is focused on the nineteenth century only, and across various disciplines. Carneiro dialogs with dead scholars as inspirational intellectual interlocutors while Sera-Shriar and the contributors to his edited volume do not. One book aims at covering transversal themes, concepts, and methods in North America and Britain (with but a few references to German scholars) while the other deploys eight selected case studies in Britain and the Empire. Other disparities between the two volumes could certainly be enumerated.

Erika Lorraine Milam. Creatures of Cain: The Hunt for Human Nature in Cold War America. 408 pp., 33 b/w illus., app., notes, index. Princeton: Princeton University Press, 2019.

“Human nature” is nearly as pliable and ambiguous a term as “Cold War” but Erika Lorraine Milam pins down these slippery concepts in Creatures of Cain: The Hunt for Human Nature in Cold War America. Milam successfully crafts an important analysis of the science of human nature that crystallized around questions of aggression in post-war America. Milam’s “Cold War” is less of an international geopolitical event than it is a setting in which US governmental concerns about American society intersected with and funded the work of anthropological experts studying the origins of human behavior. Against this backdrop, Milam sets out to discover how questions of human behavior became important and how the science of evolution gained popular explanatory power to answer them. In Creatures of Cain, Milam examines American social science after World War II and its attempts to make sense of humanity’s species-level relationship with violence. This book spans the late 1950s and the emergence of the “killer ape” hypothesis and ends in the 1980s with the rise of sociobiological explanations for violence.

Editor’s note: The following essay is a response to “Memoirs of Women and Harvard” by Alice B. Kehoe, published on 9 August 2021 in Reviews. You can find the original essay here.

Alice Kehoe, in her review article, “Memoirs of Women and Harvard,” makes the following inaccurate assertion, “Cora Du Bois was there [Harvard’s Department of Anthropology] only because wealthy patron Doris Zemurray Stone recommended her for the chair the Zemurray family endowed specifically for a woman.” This was in the context of discussing Victoria R. Bricker’s book, Transformational Journeys: An Ethnologist’s Memoir (2017), in which Bricker mentions some of her experiences as a graduate student in anthropology at Harvard and references Du Bois’s mentoring of her.

Victoria R. Bricker. Transformational Journeys: An Ethnologist’s Memoir. Transactions of the American Philosophical Society, vol. 106, part 5. 344 pp., illus. Philadelphia: American Philosophical Society, 2017.

Becky Cooper. We Keep the Dead Close: A Murder at Harvard and a Half Century of Silence. 512 pp., notes. New York: Grand Central Publishing, 2020.

That Harvard’s Department of Anthropology did not favor women is well-known. So well-known that some of it is pure myth. Contrary to a common story, women were not required to sit outside classrooms listening through the door. David Browman, who researched and wrote most of Anthropology at Harvard,^[1] discovered that up until about 1925, professors could, if they wished, offer separate meetings of their classes, one for men and one for women. Harvard had a School for the Collegiate Instruction of Women that in 1893 became Radcliffe College, with its own campus and classrooms. During the 1920s, women began sitting in classrooms with men.^[2] Women who earned an Anthropology PhD at Harvard received a Radcliffe diploma until 1963. Mine, in Spring 1964, may have been the first Harvard diploma in Anthropology issued to a woman.

Olivia Cadaval, Sojin Kim, and Diana Baird N’Diaye. Curatorial Conversations: Cultural Representation and the Smithsonian Folklife Festival. 304 (hardcover) or 360 (paperback) pp., 71 b&w illus., ref., index. Jackson, MS: University Press of Mississippi, 2016.

Curatorial Conversations explores the legacy of the Smithsonian Folklife Festival (SFF) by bringing together scholars with decades of experience as curators, researchers, and participants. This collection of essays is not so much a history of the festival as it is an attempt to trace the evolution of what it means to be a SFF curator and a reflection upon how relationships with cultural communities—whether Cajun fiddlers, Tibetan expatriates, or NASA engineers—have been refined and strengthened since the festival’s 1967 debut. My intention here is to provide a brief overview of the anthology and highlight three themes I found particularly salient, before concluding with some questions concerning the future of the festival.

David Martínez. Life of the Indigenous Mind: Vine Deloria Jr. and the Birth of the Red Power Movement. New Visions in Native American and Indigenous Studies. 480 pp., notes, bibl., index. Lincoln: University of Nebraska Press, 2019.

I discovered David Martínez’s biography of Vine Deloria, Jr. a few years ago while looking for books that might offer some background on the Red Power Movement and its impact on developments in mid-twentieth century American anthropology. An enrolled member of the Standing Rock Sioux Tribe, Deloria advocated for Native American rights throughout his life and became (and remains) one of the most prominent and influential voices on the subject of Indigenous sovereignty. Martínez, who teaches American Indian Studies and is of Akimel O’odham and Mexican descent, notes Deloria’s seeming omnipresence within discourse on Native American activism from the book’s start. As he reflects: “I am uncertain of how I first heard of Deloria. He is one of these figures who seems to have always been a part of my life as an Indigenous person” (11). As a historian of anthropology interested in the discipline’s “period of crisis” during the 1960s and ’70s, I was aware of the way Deloria and his well-known critique of “anthropologists and other friends” likewise had embedded themselves in my mind as critical markers of this historical moment. I realized, however, that despite my passing familiarity with Custer Died for Your Sins—his first and probably most famous book—I knew relatively little about Deloria beyond what had coalesced alongside the now iconic images of the American Indian Movement’s takeovers of Alcatraz in 1969 and the Bureau of Indian Affairs building in 1972.

Christina Luke. A Pearl in Peril: Heritage and Diplomacy in Turkey. 288 pp., illus., tables, notes, bibl., index. New York: Oxford University Press, 2019.

Christina Luke’s A Pearl in Peril is a wide-ranging study of development, international diplomacy, heritage, and extraction in the twentieth and the twenty-first centuries that provides a substantive analysis of the politics of the past in western Turkey. Luke takes as her focus the once-Ottoman city of Smyrna, now-Turkish city of Izmir (sometimes known as “the pearl of the Mediterranean”) and its hinterlands, including the archaeological site of Sardis. Luke shows how this resource-rich region, whether archaeologically or in terms of its mineral and agricultural wealth, sat at the center of diplomatic and extractive intrigue throughout the previous century. In drawing these long-term connections, Luke highlights the consequences of this entanglement in constituting contemporary forms of heritage and local reactions to it. In addition to historians and anthropologists of heritage and the politics of the past, Luke’s volume will find an appreciative readership across a variety of fields, including scholars of international relations and development aid. The book at times can feel slightly unbalanced, however, and I suspect that each of these readerships might well wish that the distribution of themes throughout the volume differed slightly.    

John P. Jackson Jr. and David J. Depew. Darwinism, Democracy, and Race: American Anthropology and Evolutionary Biology in the Twentieth Century. 240pp., index. New York: Routledge, 2017.

Concurrent with the recent rise of far-right populism and authoritarianism has been a troubling reemergence of scientific racism. New tools for sequencing genomes and identifying “genetic clusters” have enabled this revival both in academic circles and on social media. The return of “race realism” is best exemplified by the research of Nicholas Wade, who in A Troublesome Inheritance: Genes, Race and Human History (2014) argued in favor of racial determinism while also claiming that the anti-racism pushback of the post-World War II era was ideological rather than scientifically-based. John P. Jackson Jr. and David J. Depew explicitly reject this idea. In Darwinism, Democracy, and Race: American Anthropology and Evolutionary Biology in the Twentieth Century (2017), they revisit the anti-racist arguments of the twentieth century in order to re-present and reaffirm the scientific basis for racial egalitarianism and democratic equality, an admirable goal given the current political climate and ongoing fight for racial justice in the United States.

Paul Turnbull. Science, Museums and Collecting the Indigenous Dead in Colonial Australia. Palgrave Studies in Pacific History. 428 pp., 6 b/w illus., bibl., index. Cham, Switzerland: Palgrave Macmillan, 2017.

Indigenous bodies have long been a source of historical interest. Over the past decade many scholars have discussed how indigenous bodies and body parts have functioned as sites of persistent fascination, colonial oppression, and Indigenous agency. One persistent theme in this historiography is how the collection and use of Indigenous biospecimens came to be prospected and profited upon. Warwick Anderson’s The Collectors of Lost Souls showed us how Fore brain samples served as a valuable biomedical commodity. Kim TallBear and Jenny Reardon illustrated the role of “Indigenous DNA” in generating scientific knowledge, accruing capital, and attaining professional prestige. Emma Kowal similarly drew our attention to the “ethical biovalue” afforded to Indigenous specimens through discussing how many drug targets and diagnostic tools have emerged out of the collection and use of Indigenous blood, saliva, surgically-removed diseased tissues, and urine.^[1] Paul Turnbull’s Science, Museums and Collecting the Indigenous Dead in Colonial Australia follows in the footsteps of this well-known body of work. However, rather than focusing his attention on brains, blood, or bodily tissues, Turnbull is more interested in Indigenous skeletal remains and the ways that they have functioned as sites of scientific curiosity from the 1700s to the turn of the twentieth century.

Peter Hempenstall. Truth’s Fool: Derek Freeman and the War over Cultural Anthropology. xiv +321pp., 17 illus., 2 maps, bibl., index. Madison, Wisconsin: University of Wisconsin Press, 2017.

Peter Hempenstall’s Truth’s Fool: Derek Freeman and the War over Cultural Anthropology offers a fresh and thoroughly researched biography of the controversial anthropologist Derek Freeman. The book is built around Freeman’s infamous criticism of Margaret Mead’s first book, Coming of Age in Samoa, and the ensuing acrimony within the discipline. An admirer of Mead’s work, Freeman travelled to Samoa to do his own research, attempting in the process to find Mead’s original informants and reproduce her research on adolescent sexuality. In the early 1980s, he began to argue that her conclusions on adolescence were mistaken, and that she had been hoaxed by mischievous young informants. Attacking Freeman, Mead, and one another, anthropologists around the world took sides that reproduced a kind of nature-nurture debate on human development and teenaged identity crises with supporters of Mead on the side of nurture and those backing Freeman on the side of nature. The furor did not subside until after Freeman’s death in 2001. This dispute, still a sensitive subject for many anthropologists, acts as Hempenstall’s focal point, but Truth’s Fool goes well beyond it. In fact, in the beginning, Hempenstall advises his readers to remember that “the Mead thing” (7) is only one particular way of understanding Freeman’s life and work. I recommend this book as a compelling story for anyone interested in the history of anthropology as a discipline, as well as those trying to grasp the fallout of Freeman’s work and the heated response to it. As an outsider to anthropology but an insider to Australian academia, Hempenstall gives us a new perspective into this period of anthropological debate.

Charles King. Gods of the Upper Air: How a Circle of Renegade Anthropologists Reinvented Race, Sex, and Gender in the Twentieth Century. 448pp., notes, bibl., index. New York: Doubleday, 2019. $30 (hardcover), $17 (paperback), $14.99 (ebook)

Note: This review first appeared in The TLS: Times Literary Supplement (no. 6114, 5 June 2020, pp. 4–6) with the title “Lines of thought: Franz Boas: The Man Who Opened Up Anthropology in America” and is reprinted with permission of TLS and the author. (In the UK, Charles King’s book is published as The Reinvention of Humanity: A Story of Race, Sex, Gender and the Discovery of Culture.) The essay’s timeliness is self-evident. The History of Anthropology Review joins with the many now protesting against the reprehensible police killings and systemic racism which have afflicted Black, Indigenous and other Communities of Color for so long; we stand in solidarity with the Black Lives Matter movement and are committed to documenting, discussing, and critically evaluating racism’s legacies in anthropology, while working for greater equity within our disciplines, institutions, and communities. —The Editors

The President of the United States was saying “America must be kept American,”^[1] emboldening white supremacists to blame darker-skinned immigrants for causing crime and taking working-class jobs. It was the 1920s, and the US was erecting barriers against immigration, with severe effects on those who were poor or classed as non-white. White patricians, feeling under threat from those who spoke foreign languages and clustered in tenements, rallied around a confident, energetic, mustachioed ideologue named Madison Grant, a wealthy New Yorker and close friend of President Theodore Roosevelt. Grant’s book The Passing of the Great Race (1916) implausibly suggested that America had once been racially homogeneous but was becoming degraded by immigration—plunged into a chaotic, impoverished “racial abyss.” “Teutonics” or “Nordics” like him were being “replaced,” he warned, by “lower” races and would soon be “extinct.”^[2] Grant’s malevolent thesis that racial mixing posed a grave threat to white vitality was seized on by Hitler, who in 1925 wrote Grant a fan letter, praising the German translation of his book as “my Bible” (114, 306).

Robert Launay. Savages, Romans, and Despots: Thinking about Others from Montaigne to Herder. 272 pp., notes, bibl., index. Chicago: University of Chicago Press, 2018. $32.50 (paper), $97.50 (cloth), $10-32.50 (e-book)

Since its inception, Edward Said’s Orientalism has enjoyed tremendous and well-deserved influence across the humanities and social sciences.^[1] While this text has never been without its critics,^[2] Said’s underlying assertion that representations of the “other” have been intimately embedded in imperial domination has contributed to a disciplinary commonplace that assumes European imaginings of non-Europeans are inevitably and eternally domineering. It is this overextension (and perhaps simplification) of Said’s thesis that Robert Launay critically addresses in Savages, Romans, and Despots: Thinking about Others from Montaigne to Herder.

David A. Varel. The Lost Black Scholar: Resurrecting Allison Davis in American Social Thought. 304pp., 16 halftones, notes, index. University of Chicago Press, 2018. $45 (cloth)

David Varel’s biography of Allison Davis, The Lost Black Scholar, is aptly named. Davis is rarely cited by anthropologists today, but he has little in common with the “excluded ancestors and invisible traditions” after whom a volume of the History of Anthropology series was named.^[1] On the contrary, Davis was hardly invisible. Rather, he was a remarkably well-known, highly-respected figure who was important intellectually and institutionally in anthropology, someone whose story and influence has not been repressed or erased but, as Varel puts it, “lost.” In this trim and athletic volume, Varel successfully shows us the importance of Davis’s work and life, revealing a remarkable scholar who should be remembered for his incredible personal story, his intellectual contributions to the study of structural injustice, and his role as a model of a politically committed but non-activist scholar.

Margaret M. Bruchac, Savage Kin: Indigenous Informants and American Anthropologists. With a foreword by Melissa Tantaquidgeon Zobel. Native Peoples of the Americas, edited by Laurie Weinstein. 280pp., notes., archives, bibl., index. Tucson: University of Arizona Press, 2018. $35 (paperback), $35 (eBook)

Kinship, both the social practice of specifying relationships among peoples and the study of these social relations, has undoubtedly shaped the development of disciplinary anthropology. Its influence ranges from participant observation (“adoptions” of anthropologists into groups) all the way to the reflexive turn, where the constellations of kin relations might bound the conditions of possibility in an ethnographic study. For anthropologists, kinship-thinking often goes hand in hand with fieldwork as an initial mode for understanding the social and cultural lives of others.

Gavin Lucas. Writing the Past: Knowledge and Literary Production in Archaeology. 188 pp., 1 b/w illus., 8 tables, bibl., index. London: Routledge, 2018. $39.95 (paper), $150 (hardback), eBook ($35.96)

In a magisterial and impressively learned way, Gavin Lucas details in his new book how archaeologists in the English-speaking world have been struggling for generations to turn what they are digging up into reliable knowledge about the past. The disagreements at the core of these struggles have often been intense. Moreover, these clashes over method and theory are far from over. As Lucas observes, “In the wake of debates in archaeology during the 1980s and 1990s one can no longer entertain any naivety about archaeological knowledge as an untroubled road to the truth about what happened in the past” (3).

The Story Box: Franz Boas, George Hunt and the Making of Anthropology. An exhibition at the Bard Graduate Center Gallery in New York and the U’mista Cultural Centre in Alert Bay, Canada, curated by Aaron Glass with designs by Corrine Hunt.

On view at the Bard Graduate Center from February 14-July 7, 2019
On view at the U’mista Cultural Centre from July 20-October 26, 2019

In April of 1897, American anthropologist Franz Boas wrote a letter to a group of Kwagu’ł chiefs on Canada’s northwestern coast. He explained that “It is good that you should have a box in which your laws and stories are kept. My friend, George Hunt, will show you a box in which some of your stories will be kept. It is a book I have written on what I saw and heard when I was with you two years ago.”

“Beyond Compare: Art from Africa in the Bode Museum.” A temporary exhibit at the Bode Museum, Berlin, Germany, on view from October 27, 2017 to June 2, 2019.

In introducing their Beyond Compare exhibit at the Bode Museum, curators Julien Chapuis, Jonathan Fine, and Paola Ivanov have been very clear and consistent about the unique opportunity that allowed them to juxtapose African and European art: objects from the ethnographic collections became available while they waited for their new home in the controversial Humboldt Forum.^[1] The ephemeral nature of this experiment thus hovers over this temporary exhibition more than over most—a window is only briefly open to challenge our current museological practice, and will close again soon. That said, we are keenly aware of this because the curators, to their credit, have used this opportunity to raise fundamental questions about how we display the arts of different places and periods, and to investigate the meaning of continuing disciplinary and institutional divisions between them. In the catalogue, in the introductory wall panels, and in the “About this Exhibition” section of the exhibit’s companion app, they almost immediately segue from explaining this unique opportunity to challenging their visitors’ ideas and expectations. “What causes us to view objects as similar or different? What insights can we gain from the joint display of works of art with different histories? Why were some objects classified in the past as ‘ethnological’ and others as ‘art’?” In the end, however, the temporary nature of this exhibit and the questions raised by this remarkable and ambitious show are poignant and haunting because they underscore the disciplinary and institutional divides that will re-emerge when it closes in June.

Lynn Meskell. A Future in Ruins: UNESCO, World Heritage, and the Dream of Peace. 400 pp., illus., notes, bibl., index. Oxford University Press,  2018. $29.95 (hardcover)

Histories of heritage seem to be having their moment in the sun. Within the past year, Christina Luke’s A Pearl in Peril: Heritage and Diplomacy in Turkey (OUP, 2019) has been published, as has Lucia Allais’s Designs of Destruction: The Making of Monuments in the Twentieth Century (Chicago, 2018). Lynn Meskell’s A Future in Ruins: UNESCO, World Heritage, and the Dream of Peace is the third part of this (unintentional) trilogy. Part history and part anthropology, the volume puts the operation of UNESCO’s heritage concept in historical perspective, detailing the development of that notion and its institutional governance from the interwar period to the present day. As Meskell admits (xxi), her own disciplinary background in archaeology means that she concentrates on the “cultural” side of a concept that also deals with “natural” sites, most famously through the 1972 Convention Concerning the Protection of the World Cultural and Natural Heritage. That limitation aside, however, throughout the volume Meskell charts the intertwined histories of heritage and UNESCO in a way that is, to my knowledge, unparalleled in its depth.

Nihad M. Farooq. Undisciplined: Science, Ethnography, and Personhood in the Americas, 1830­­–1940. 280 pp., 9 halftones, notes, index. New York: New York University Press, 2016. $30 (paper)

In four chapters, Farooq analyzes a multitude of scientific and artistic “border-crossers,” beginning with Charles Darwin in the 1830s and concluding with African American artist-ethnographers who traveled to Haiti in the mid-twentieth century. Chapter 1 considers Charles Darwin’s journey alongside Captain Robert FitzRoy aboard the HMS Beagle in 1834, and his interactions with three returned captives in Tierra del Fuego. These interactions led Darwin to question ideas about fixed biological difference among humans, thus influencing his subsequent theories of evolution. The most fascinating and novel intervention of this chapter is the link Farooq draws between Darwin’s fieldwork and ideas of cultural relativism embraced by later anthropologists like Franz Boas and Zora Neale Hurston. Farooq convincingly argues that while Darwin himself was not an anthropologist nor an ethnographer, his evolutionary theory shaped the field by showing that “social and biological taxonomies are […] contingent, always shifting, never stable” (48). Darwin’s theory of evolution implied that humanity was in a constant state of “becoming,” and this led to a conviction that differences among human races were “neither fundamental nor fixed” (55). What’s more, Darwinian theories of a shared human kinship and common ancestry were eventually appropriated by socially and politically marginalized intellectuals like Boas and Hurston. In these ways, Farooq shows how Darwin’s evolutionary theories—frequently associated with subsequent scientific racism and eugenicist theories—also opened up new avenues for thinking about racial fluidity and connections among humanity.

Christina Bueno. The Pursuit of Ruins: Archaeology, History, and the Making of Modern Mexico. 280pp., 23 illus., 3 maps, notes, bibl., index. Albuquerque, NM: University of New Mexico Press, 2016. $95 (cloth), $29.95 (paper), $29.95 (eBook)

Christina Bueno’s The Pursuit of Ruins provides an engaging and comprehensive account of the development of archaeology as a national, modernizing project in Porfirian (late nineteenth and early twentieth century) Mexico. The volume is well-researched, extremely readable, and resonates well with much of the scholarship on the history of archaeology that has emerged in recent years. I recommend it as an introduction not only to the history of archaeology and “the past” in Mexico, but also as a useful comparative work for scholarship on the history of archaeology elsewhere in the world, which often seems to ignore the discipline’s development outside of Euro-America, the Mediterranean, and South Asia.^[1] As Bueno notes, debate about whether Latin American countries “are postcolonial nations” is ongoing (8). The Pursuit of Ruins reveals the merits of a postcolonial perspective in the Mexican case.

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