This essay is one of a series of “Participant Observations” on the removal of the Samuel Morton Cranial Collection from public display and legacies of scientific racism in museums. Read more reflections from this series here.
In 2006, while working at the Colorado Historical Society, I played a small role in helping prepare a collection of ancient American Indian human remains for their journey home. As a recent college graduate with some professional experience related to repatriation, I thought I knew something about the problematic history leading to the widespread exploitation of Native remains and the creeping expansion of scientific racism. With this project, however, my eyes were about to be opened to this story and its importance.
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